هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Adventures of Huckleberry Finn

You don’t know about me, without you have read a book by the
name of The Adventures of Tom Sawyer; but that ain’t no matter. That
book was made by Mr. Mark Twain, and he told the truth, mainly.
There was things which he stretched, but mainly he told the truth.
That is nothing. I never seen anybody but lied one time or another,
without it was Aunt Polly, or the widow, or maybe Mary. Aunt
Polly—Tom’s Aunt Polly, she is—and Mary, and the Widow Douglas
is all told about in that book, which is mostly a true book, with some
stretchers, as I said before.
Now the way that the book winds up is this: Tom and me found
the money that the robbers hid in the cave, and it made us rich. We
got six thousand dollars apiece—all gold. It was an awful sight of
money when it was piled up.
 Well, Judge Thatcher he took it and put
it out at interest, and it fetched us a dollar a day apiece all the year
round—more than a body could tell what to do with. The Widow
Douglas she took me for her son, and allowed she would sivilize me;
but it was rough living in the house all the time, considering how dismal regular and decent the widow was in all her ways; and so when I
couldn’t stand it no longer I lit out. I got into my old rags and my
sugar-hogshead again, and was free and satisfied. But Tom Sawyer he
hunted me up and said he was going to start a band of robbers, and
I might join if I would go back to the widow and be respectable. So
I went back.