هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Crime and Punishment
Chapter I
On an exceptionally hot evening early in July a young
man came out of the garret in which he lodged in S.
Place and walked slowly, as though in hesitation, towards
K. bridge.
He had successfully avoided meeting his landlady on the
staircase. His garret was under the roof of a high, five-storied house and was more like a cupboard than a room. The
landlady who provided him with garret, dinners, and attendance, lived on the floor below, and every time he went
out he was obliged to pass her kitchen, the door of which
invariably stood open. And each time he passed, the young
man had a sick, frightened feeling, which made him scowl
and feel ashamed. He was hopelessly in debt to his landlady,
and was afraid of meeting her.
This was not because he was cowardly and abject, quite
the contrary; but for some time past he had been in an overstrained irritable condition, verging on hypochondria. He
had become so completely absorbed in himself, and isolated from his fellows that he dreaded meeting, not only
his landlady, but anyone at all. He was crushed by poverty,
but the anxieties of his position had of late ceased to weigh
upon him. He had given up attending to matters of practical importance; he had lost all desire to do so. Nothing that
any landlady could do had a real terror for him.
 

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