هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

All Quiet on the Western Front
We are at rest five miles behind the front. Yesterday we were relieved, and now our bellies are
full of beef and haricot beans. We are satisfied and at peace. Each man has another mess-tin full
for the evening; and, what is more, there is a double ration of sausage and bread. That puts a man
in fine trim. We have not had such luck as this for a long time. The cook with his carroty head is
begging us to eat; he beckons with his ladle to every one that passes, and spoons him out a great
dollop. He does not see how he can empty his stew-pot in time for coffee. Tjaden and Müller have
produced two washbasins and had them filled up to the brim as a reserve. In Tjaden this is
voracity, in Müller it is foresight. Where Tjaden puts it all is a mystery, for he is and always will be
as thin as a rake. What's more important still is the issue of a double ration of smokes. Ten cigars,
twenty cigarettes, and two quids of chew per man; now that is decent. I have exchanged my
chewing tobacco with Katczinsky for his cigarettes, which means I have forty altogether. That's
enough for a day.