هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

White Fang
DARK SPRUCE FOREST frowned on either side the frozen
waterway. The trees had been stripped by a recent wind of their
white covering of the frost, and they seemed to lean toward each
other, black and ominous, in the fading light. A vast silence
reigned over the land. The land itself was a desolation, lifeless,
without movement, so lone and cold that the spirit of it was not
even that of sadness.
There was a hint in it of laughter, but of a laughter more terrible
than any sadnessa laughter that was mirthless as the smile of the
Sphinx, a laughter cold as the frost and partaking of the grimness
of infallibility. It was the masterful and incommunicable wisdom
of eternity laughing at the futility of life and the effort of life.
It was the Wild, the savage, frozen-hearted Northland Wild.
But there was life, abroad in the land and defiant. Down the frozen
waterway toiled a string of wolfish dogs. Their bristly fur was
rimed with frost. Their breath froze in the air as it left their mouths,
spouting forth in spumes of vapor that settled upon the hair of
their bodies and formed into crystals of frost. Leather harness was
on the dogs, and leather traces attached them to a sled which
dragged along behind. The sled was without runners. It was made
of stout birchbark, and its full surface rested on the snow.