هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

    Life of Pi

regardless of whether the history or the food is right. Your story is emotionally dead, that's the crux of it. The
discovery is something soul-destroying, I tell you. It leaves you with an aching hunger.
From Matheran I mailed the notes of my failed novel. I mailed them to a fictitious address in Siberia, with a
return address, equally fictitious, in Bolivia. After the clerk had stamped the envelope and thrown it into a
sorting bin, I sat down, glum and disheartened. "What now, Tolstoy? What other bright ideas do you have for
your life?" I asked myself.
Well, I still had a little money and I was still feeling restless. I got up and walked out of the post office to
explore the south of India.
I would have liked to say, "I'm a doctor," to those who asked me what I did, doctors being the current
purveyors of magic and miracle. But I'm sure we would have had a bus accident around the next bend, and
with all eyes fixed on me I would have to explain, amidst the crying and moaning of victims, that I meant in
law; then, to their appeal to help them sue the government over the mishap, I would have to confess that as a
matter of fact it was a Bachelor's in philosophy; next, to the shouts of what meaning such a bloody tragedy
could have, I would have to admit that I had hardly touched Kierkegaard; and so on. I stuck to the humble,
bruised truth.
 

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