هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

    Bridge to Terabithia

ONE - Jesse Oliver Aarons, Jr.
Ba-room, ba-room, ba-room, baripity, baripity, baripity, baripity. Good. His dad had the
pickup going. He could get up now. Jess slid out of bed and into his overalls. He didn't worry
about a shirt because once he began running he would be hot as popping grease even if the
morning air was chill, or shoes because the bottoms of his feet were by now as tough as his
worn-out sneakers.
"Where you going, Jess?" May Belle lifted herself up sleepily from the double bed where
she and Joyce Ann slept.
"Sh." He warned. The walls were thin. Momma would he mad as flies in a fruit jar if they
woke her up this time of day
He patted May Belle's hair and yanked the twisted sheet up to her small chin. "Just over
the cow field," he whispered. May Belle smiled and snuggled down under the sheet.
"Gonna run?"
"Maybe."
Of course he was going to run. He had gotten up early every day all summer to run. He
figured if he worked at it - and Lord, had he worked-he could be the fastest runner in the fifth
grade when school opened up. He had to be the fastest-not one of the fastest or next to the
fastest, but the fastest. The very best.
He tiptoed out of the house. The place was so ratty that it screeched whenever you put
your foot down, but Jess had found that if you tiptoed, it gave only a low moan, and he could
usually get outdoors without waking Momma or Ellie or Brenda or Joyce Ann.

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