هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Absalom, Absalom!

F rom a little after two oclock until almost sundown of the long still
hot weary dead September afternoon they sat in what Miss Coldfield still
called the office because her father had called it that-a dim hot
airless room with the blinds all closed and fastened for forty-three
summers because when she was a girl someone had believed that light and
moving air carried heat and that dark was always cooler, and which (as
the sun shone fuller and fuller on that side of the house) became
latticed with yellow slashes full of dust motes which Quentin thought of
as being flecks of the dead old dried paint itself blown inward from the
scaling blinds as wind might have blown them. There was a wistaria vine
blooming for the second time that summer on a wooden trellis before one
window, into which sparrows came now and then in random gusts, making a
dry vivid dusty sound before going away: and opposite Quentin , Miss
Coldfield in the eternal black which she had worn for forty- three years
now, whether for sister, father, or nothusband none knew, sitting so
bolt upright in the straight hard chair that was so tall for her that
her legs hung straight and rigid as if she had iron shinbones and
ankles, clear of the floor with that air of impotent and static rage
like children's feet, and talking in that grim haggard amazed voice
until at last listening would renege and hearing-sense self-confound and
the long-dead object of her impotent yet indomitable frustration would
appear, as though by outraged recapitulation evoked, quiet inattentive 
and harmless, out of the biding and dreamy and victorious dust. 
 

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