هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Curious Incident of the Dog In the Night-Time

in front of Mrs. Shears’s house. Its eyes were closed. It looked as if it was running on its side, the
way dogs run when they think they are chasing a cat in a dream. But the dog was not running or
asleep. The dog was dead. There was a garden fork sticking out of the dog. The points of the fork
must have gone all the way through the dog and into the ground because the fork had not fallen
over. I decided that the dog was probably killed with the fork because I could not see any other
wounds in the dog and I do not think you would stick a garden fork into a dog after it had died for
some other reason, like cancer, for example, or a road accident. But I could not be certain about
this.
I went through Mrs. Shears’s gate, closing it behind me. I walked onto her lawn and knelt
beside the dog. I put my hand on the muzzle of the dog. It was still warm.
The dog was called Wellington. It belonged to Mrs. Shears, who was our friend. She lived on
the opposite side of the road, two houses to the left.
Wellington was a poodle. Not one of the small poodles that have hairstyles but a big poodle. It
had curly black fur, but when you got close you could see that the skin underneath the fur was a
very pale yellow, like chicken. 

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