هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Witch of Blackbird Pond    

ON A MORNING in mid-April, 1687, the brigantine Dolphin left the open sea, sailed briskly across the Sound to the wide
mouth of the Connecticut River and into Saybrook harbor. Kit Tyler had been on the forecastle deck since daybreak, standing
close to the rail, staring hungrily at the first sight of land for five weeks.
"There's Connecticut Colony," a voice spoke in her ear. "You've come a long way to see it." She looked up, surprised and
Battered. On the whole long voyage the captain's son had spoken scarcely a dozen words to her. She had noticed him often,
his thin wiry figure swinging easily hand over hand up the rigging, his sandy, sun-bleached head bent over a coil of rope.
Nathaniel Eaten, first mate, but his mother called him Nat. Now, seeing him so close beside her, she was surprised that, for all
he looked so slight, the top of her head barely reached his shoulder.
"How does it look to you?" he questioned.
Kit hesitated. She didn't want to admit how disappointing she found this first glimpse of America. The bleak line of shore
surrounding the gray harbor was a disheartening contrast to the shimmering green and white that fringed the turquoise bay of
Barbados which was her home. The earthen wall of the fortification that faced the river was bare and ugly, and the houses
beyond were no more than plain wooden boxes.
"Is that Wethersfield?" she inquired instead. 
 

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