هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Where the Red Fern Grows

WHEN I LEFT MY OFFICE THAT BEAUTIFUL SPRING DAY, I HAD no idea what was in store for me. To begin with,
everything was too perfect for anything unusual to happen. It was one of those days when a man feels good, feels like speaking to
his neighbor, is glad to live in a country like ours, and proud of his government. You know what I mean, one of those rare days
when everything is right and nothing is wrong.
I was walking along whistling when I heard the dogfight. At first I paid no attention to it. After all it wasn't anything to get excited
about, just another dogfight in a residential section.
As the sound of the fight grew nearer, I could tell there were quite a few dogs mixed up in it. They boiled out of an alley, turned,
and headed straight toward me. Not wanting to get bitten or run over, I moved over to the edge of the sidewalk.
I could see that all the dogs were fighting one. About twenty-five feet from me they caught him and down he went. I felt sorry for
the unfortunate one. I knew if something wasn't done quickly the sanitation department would have to pick up a dead dog. 1 I was
trying to make up my mind to help when I got a surprise. Up out of that snarling, growling, slashing mass reared an old redbone
hound. For a second I saw him. I caught my breath. I couldn't believe what I had seen.
Twisting and slashing, he fought his way through the pack and backed up under the low branches of a hedge. Growling and
snarling, they formed a halfmoon circle around him.
 

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