هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Runaway Jury

One
The face of Nicholas Easter was slightly hidden by a display rack filled with slim
cordless phones, and he was looking not directly at the hidden camera but somewhere off
to the left, perhaps at a customer, or perhaps at a counter where a group of kids hovered
over the latest electronic games from Asia. Though taken from a distance of forty yards
by a man dodging rather heavy mall foot traffic, the photo was clear and revealed a nice
face, clean-shaven with strong features and boyish good looks. Easter was twenty-seven,
they knew that for a fact. No eyeglasses. No nose ring or weird haircut. Nothing to
indicate he was one of the usual computer nerds who worked in the store at five bucks an
hour. His questionnaire said he'd been there for four months, said also that he was a parttime student, though no record of enrollment had been found at any college within three
hundred miles. He was lying about this, they were certain.
He had to be lying. Their intelligence was too good. If the kid was a student, they'd know
where, for how long, what field of study, how good were the grades, or how bad. They'd
know. He was a clerk in a Computer Hut in a mall. Nothing more or less. Maybe he
planned to enroll somewhere. Maybe he'd dropped out but still liked the notion of
referring to himself as a part-time student. Maybe it made him feel better, gave him a
sense of purpose, sounded good. 
 

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