هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Artemis Fowl

Artemis sat on an oxblood leather armchair, facing Beckett and Myles. His mother was in bed
with a slight case of the flu, his father was with the doctor in her room, and so Artemis was lending a
hand in entertaining the toddlers. And what better entertainment for youngsters than some lessons?
He had decided to dress casually in a sky blue silk shirt, light gray woolen pants, and Gucci
loafers. His black hair was swept back from his forehead, and he was putting on a jolly expression,
which he had heard appealed to children.
“Artemis need toilet?” wondered Beckett, who was squatting on the Tunisian rug, wearing only a
grass-stained sweater, which he had pulled down over his knees.
“No, Beckett,” said Artemis brightly. “I am trying to look jolly. And shouldn’t you be wearing a
diaper?”
“Diaper,” snorted Myles, who had potty trained himself at the age of fourteen months, building a
stepladder of encyclopedias to reach the toilet seat.
“No diaper,” pouted Beckett, slapping at a still-buzzing fly trapped in his sticky blond curls.
“Beckett hates diaper.”
Artemis doubted that the nanny had neglected to put a diaper on Beckett, and he wondered briefly
where that diaper was now.
“Very well, Beckett,” continued Artemis. 
 

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