هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

    The Graveyard Book

THERE WAS A HAND IN the darkness, and it held a knife.
The knife had a handle of polished black bone, and a blade finer and sharper than any razor. If it
sliced you, you might not even know you had been cut, not immediately.
The knife had done almost everything it was brought to that house to do, and both the
blade and the handle were wet.
The street door was still open, just a little, where the knife and the man who held it had
slipped in, and wisps of nighttime mist slithered and twined into the house through the open
door. 
The man Jack paused on the landing. With his left hand he pulled a large white
handkerchief from the pocket of his black coat, and with it he wiped off the knife and his gloved
right hand which had been holding it; then he put the handkerchief away. The hunt was almost
over. He had left the woman in her bed, the man on the bedroom floor, the older child in her
brightly colored bedroom, surrounded by toys and half-finished models. That only left the little
one, a baby barely a toddler, to take care of. One more and his task would be done.
He flexed his fingers. The man Jack was, above all things, a professional, or so he told
himself, and he would not allow himself to smile until the job was completed.
His hair was dark and his eyes were dark and he wore black leather gloves of the thinnest
lambskin.
 

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