هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

    New York : Dutton

My mother did not tell me they were coming. Afterwards she said she did
not want me to appear nervous. I was surprised, for I thought she knew me
well. Strangers would think I was calm. I did not cry as a baby. Only my
mother would note the tightness along my jaw, the widening of my already
wide eyes.
I was chopping vegetables in the kitchen when I heard voices outside our front
door—a woman’s, bright as polished brass, and a man’s, low and dark like the
wood of the table I was working on. They were the kind of voices we heard
rarely in our house. I could hear rich carpets in their voices, books and pearls
and fur.
I was glad that earlier I had scrubbed the front steps so hard.
My mother’s voice—a cooking pot, a flagon—approached from the front
room. They were coming to the kitchen. I pushed the leeks I had been
chopping into place, then set the knife on the table, wiped my hands on my
apron and pressed my lips together to smooth them.
My mother appeared in the doorway, her eyes two warnings. Behind her the
woman had to duck her head because she was so tall, taller than the man
following her.
All of our family, even my father and brother, were small

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