هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Shirley    

Of late years an abundant shower of curates has fallen upon the north of
England: they lie very thick on the hills; every parish has one or more of them;
they are young enough to be very active, and ought to be doing a great deal of
good. But not of late years are we about to speak; we are going back to the
beginning of this century: late years—present years are dusty, sunburnt, hot,
arid; we will evade the noon, forget it in siesta, pass the midday in slumber,
and dream of dawn.
If you think, from this prelude, that anything like a romance is preparing
for you, reader, you never were more mistaken. Do you anticipate sentiment,
and poetry, and reverie? Do you expect passion, and stimulus, and
melodrama? Calm your expectations; reduce them to a lowly standard.
Something real, cool, and solid lies before you; something unromantic as
Monday morning, when all who have work wake with the consciousness that
they must rise and betake themselves thereto. It is not positively affirmed that
you shall not have a taste of the exciting, perhaps towards the middle and
close of the meal, but it is resolved that the first dish set upon the table shall be
one that a Catholic—ay, even an Anglo-Catholic—might eat on Good Friday
in Passion Week: it shall be cold lentils and vinegar without oil; it shall be
unleavened bread with bitter herbs, and no roast lamb.
 

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