هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Partner    

One
I FOUND HIM in Ponta Pora, a pleasant little town in Brazil, on
the border of Paraguay, in a land still known as the Frontier.
They found him living in a shaded brick house on Rua Tiradentes,
a wide avenue with trees down the center and barefoot boys
dribbling soccer balls along the hot pavement.
They found him alone, as best they could tell, though a maid came
and went at odd hours during the eight days they hid and
watched.
They found him living a comfortable life but certainly not one of
luxury. The house was modest and could've been owned by any
local merchant. The car was a 1983 Volkswagen Beetle,
manufactured in Sao Paulo with a million others. It was red and
clean, polished to a shine. Their first photo of him was snapped as
he waxed it just inside the gate to his short driveway.
They found him much thinner, down considerably from the two
hundred and thirty pounds he'd been carrying when last seen. His
hair and skin were darker, his chin had been squared, and his nose
had been slightly pointed. Subtle changes to the face. They'd
paid a steep bribe to the surgeon in Rio who'd performed the
alterations two and a half years earlier. 
They found him after four years of 

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