هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Cider House Rules    

An establishing shot of the rundown train station on an
 overcast morning. There's snow on the station platform.
A
 train arrives and departs.
 LARCH (V.O.)
 In other parts of the world, young
 men of promise leave home to make
their fortunes, battle evil, or solve
the problems of the world.
 Behind the station, at the top of the hill, lies the
St.
 Cloud's orphanage.
 LARCH (V.O.)
 I was myself such a young man, when
I came to save the orphanage in St.
Cloud's... many years ago.
 EXT. ST. CLOUD'S - ORPHANAGE - EARLY MORNING
 A man and woman (COUPLE #1) make their way toward the
main
 entrance of the large brick building.
 LARCH (V.O.)
 Here in St. Cloud's, I have come to
understand that promises are rarely
kept, that the battle isn't so much
 against evil as ignorance, and that
 being successful can't hold a candle
to being of *use*.
 The couple enters the orphanage, where we hear the
sound of
 babies.
 LARCH (V.O.)
 Nor have I solved the problem I came
here to solve.
 INT. ORPHANAGE - MORNING
 Two nurses, EDNA and ANGELA, chase CHILDREN--a morning
 routine.
 LARCH (V.O.)
 Even in the most enlightened times,
unwanted babies will manage to be
born. That there will always be
orphans is simple not a problem to
be solved. Here is St. Cloud's, we
don't regard the sordid facts of
life as problems.
 

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