هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Slave Dancer    

Growing up, Paula Fox often referred to herself as a “traveling child.” Born in 1923 in
New York City, Fox seldom saw her parents or
even lived in the same place for more than a
year or two. Her father wrote scripts for stage
plays and for movies. While her parents were
working in Hollywood and London, Fox lived
with relatives and family friends.
Fox spent the first six years of her life in
New York State at the home of a minister. The
minister, who enjoyed writing, taught the
young girl to read and to appreciate the art of
storytelling. One day, while preparing a sermon, the minister asked Fox to suggest a topic.
He worked her response, a waterfall, into his
sermon the following week. It was then that
Fox realized that “everything could count,
that a word, spoken as meant, contained in
itself an energy capable of awakening imagination, thought, emotion.” Soon thereafter,
Fox told the minister she hoped to some day
become a writer.
After leaving the minister’s care, Fox was
taken to California for a brief period of time.
She was then sent to live with her grandmother on a sugar plantation in Cuba, where
she learned to speak Spanish fluently. During
a political revolution, for her own safety, she
was sent back to the United States. By the
time she was twelve years old, Fox had
attended nine schools and received her
education in three countries. She went to
elementary school in New York and Cuba
and to high school in New Hampshire
and Canada
 

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