هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Walk Two Moons    

 Gramps says that I am a country girl at heart, and that is true. I have lived
most of my thirteen years in Bybanks, Kentucky, which is not much more
than a caboodle of houses roosting in a green spot alongside the Ohio River.
Just over a year ago, my father plucked me up like a weed and took me and
all our belongings (no, that is not true - he did not bring the chestnut tree or
the willow or the maple or the hayloft or the swimming hole or any of those
things which belong to me) and we drove three hundred miles straight north
and stopped in front of a house in Euclid, Ohio.
 'Where are the trees?' I said. 'This is where we're going to live?'
 'No,' my father said. 'This is Margaret's house.'
 The front door of the house opened, and Margaret, the lady with the wild
red hair, stood there. I looked up and down the street. The buildings were all
jammed together like a row of birdhouses In front of each one was a tiny
square of grass, and in front of that was a long, long cement sidewalk
running alongside the cement road.
 'Where's the barn?' I asked. 'Where's the river? Where's the swimming
hole?'
 'Oh, Sal,' my father said. 'Come along. There's Margaret.' He waved to the
lady at the door. 
 

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