هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Little Town on the Prairie    

One evening at supper, Pa asked, "How would
you like to work in town, Laura?" Laura
could not say a word. Neither could any of the
others. They all sat as if they were frozen. Grace's blue
eyes stared over the rim of her tin cup, Carrie's teeth
stayed bitten into a slice of bread, and Mary's hand
held her fork stopped in the air. Ma let tea go pouring
from the teapot's spout into Pa's brimming cup. Just in
time, she quickly set down the teapot.
"What did you say, Charles?" she asked.
"I asked Laura how she'd like to take a job in
town," Pa replied.
"A job? For a girl? In town?" Ma said. "Why, what
kind of a job—" Then quickly she said, "No, Charles,
I won't have Laura working out in a hotel among all
kinds of strangers."
"Who said such a thing?" Pa demanded. "No girl of
ours'll do that, not while I'm alive and kicking."
"Of course not," Ma apologized. "You took me so
by surprise. What other kind of work can there be?
and Laura not old enough to teach school yet."
All in the minute before Pa began to explain, Laura
thought of the town, and of the homestead claim
where they were all so busy and happy now in the
springtime, and she did not want anything changed.
She did not want to work in town. 

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