هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Wedding    

suppose that some might
say that my life is less meaningful because of this. But
even if they’re right,
what can I do? I make no excuses for myself, nor have I
ever, and by the end of
my story, I hope you’ll view this quirk of my character
with a forgiving eye.
Please don’t misunderstand. I may not be sentimental, but
I’m not completely
without emotion, and there are moments when I’m struck by
a deep sense of
wonder. It is usually simple things that I find strangely
moving: standing among
the giant sequoias in the Sierra Nevadas, for instance, or
watching ocean waves
as they crash together off Cape Hatteras, sending salty
plumes into the sky.
Last week, I felt my throat tighten when I watched a young
boy reach for his
father’s hand as they strolled down the sidewalk. There
are other things, too: I
can sometimes lose track of time when staring at a sky
filled with wind-whipped
clouds, and when I hear thunder rumbling, I always draw
near the window to watch
for lightning. When the next brilliant flash illuminates
the sky, I often find
myself filled with longing, though I’m at a loss to tell
you what it is that I
feel my life is missing.

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