هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Kenilworth    

INTRODUCTION
A certain degree of success, real or supposed, in the delineation
of Queen Mary, naturally induced the author to attempt something
similar respecting "her sister and her foe," the celebrated
Elizabeth. He will not, however, pretend to have approached the
task with the same feelings; for the candid Robertson himself
confesses having felt the prejudices with which a Scottishman is
tempted to regard the subject; and what so liberal a historian
avows, a poor romance-writer dares not disown. But he hopes the
influence of a prejudice, almost as natural to him as his native
air, will not be found to have greatly affected the sketch he has
attempted of England's Elizabeth. I have endeavoured to describe
her as at once a high-minded sovereign, and a female of
passionate feelings, hesitating betwixt the sense of her rank and
the duty she owed her subjects on the one hand, and on the other
her attachment to a nobleman, who, in external qualifications at
least, amply merited her favour. The interest of the story is
thrown upon that period when the sudden death of the first
Countess of Leicester seemed to open to the ambition of her
husband the opportunity of sharing the crown of his sovereign.

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