هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Vision in White    

ON JANUARY FIRST, MAC ROLLED OVER TO SMACK HER ALARM clock, and ended up facedown on
the floor of her studio.
“Shit. Happy New Year.”
She lay, groggy and baffled, until she remembered she’d never made it upstairs into bed—and the alarm was
from her computer, set to wake her at noon.
She pushed herself up to stagger to the kitchen and the coffeemaker.
Why did people want to get married on New Year’s Eve? Why would they make a formal ritual out of a
holiday designed for marathon drinking and probably inappropriate sex? And they just had to drag family and
friends into it, not to mention wedding photographers.
Of course, when the reception had finally ended at two A.M., she could’ve gone to bed like a sane person
instead of uploading the shots, reviewing them—spending nearly three more hours on the Hines-Myers
wedding photos.
But, boy, she’d gotten some good ones. A few great ones.
Or they were all crap and she’d judged them in a euphoric blur.
No, they were good shots.
She added three spoons of sugar to the black coffee and drank it while standing at the window, looking out at
the snow blanketing the gardens and lawns of the Brown Estate.
They’d done a good job on the wedding, she thought. And maybe Bob Hines and Vicky Myers would take a
clue from that and do a good job on the marriage.
Either way, the memories of the day wouldn’t fade. The moments, big and small, were captured. She’d refine
them, finesse them, print them. Bob and Vicky could revisit the day through those images next week or sixty
years from next week.

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