هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Howards End    

“It isn’t going to be what we expected. It is old and little, and
altogether delightful—red brick. We can scarcely pack in as it is,
and the dear knows what will happen when Paul (younger son)
arrives to-morrow. From hall you go right or left into dining-room
or drawing-room. Hall itself is practically a room. You open another door in it, and there are the stairs going up in a sort of tunnel
to the first-floor. Three bed-rooms in a row there, and three attics in
a row above. That isn’t all the house really, but it’s all that one notices—nine windows as you look up from the front garden.
“Then there’s a very big wych-elm—to the left as you look up—
leaning a little over the house, and standing on the boundary between the garden and meadow. I quite love that tree already. Also
ordinary elms, oaks—no nastier than ordinary oaks—pear-trees,
apple-trees, and a vine. No silver birches, though. However, I must
get on to my host and hostess. I only wanted to show that it isn’t the
least what we expected. Why did we settle that their house would be
all gables and wiggles, and their garden all gamboge-coloured paths?
I believe simply because we associate them with expensive hotels—
Mrs. Wilcox trailing in beautiful dresses down long corridors, Mr.
Wilcox bullying porters, etc. We females are that unjust.
“I shall be back Saturday; will let you know train later. They are as
angry as I am that you did not come too; really Tibby is too tiresome, he starts a new mortal disease every month. How could he
have got hay fever in London? and even if he could, it seems hard
that you should give up a visit to hear a schoolboy sneeze. Tell him
that Charles Wilcox (the son who is here) has hay fever too, but he’s
brave, and gets quite cross when we inquire after it. Men like the
Wilcoxes would do Tibby a power of good. But you won’t agree,
and I’d better change the subject.
 

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