هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

A Room With a View    

The Signora had no business to do it," said Miss Bartlett, "no
business at all. She promised us south rooms with a view close
together, instead of which here are north rooms, looking into a
courtyard, and a long way apart. Oh, Lucy!"
"And a Cockney, besides!" said Lucy, who had been further
saddened by the Signora's unexpected accent. "It might be
page 3 / 369
London." She looked at the two rows of English people who were
sitting at the table; at the row of white bottles of water and
red bottles of wine that ran between the English people; at the
portraits of the late Queen and the late Poet Laureate that hung
behind the English people, heavily framed; at the notice of the
English church (Rev. Cuthbert Eager, M. A. Oxon.), that was the
only other decoration of the wall. "Charlotte, don't you feel,
too, that we might be in London? I can hardly believe that all
kinds of other things are just outside. I suppose it is one's
being so tired."
"This meat has surely been used for soup," said Miss Bartlett,
laying down her fork.
"I want so to see the Arno. The rooms the Signora promised us in
her letter would have looked over the Arno. The Signora had no
business to do it at all. Oh, it is a shame!"
"Any nook does for me," Miss Bartlett continued; "but it does
seem hard that you shouldn't have a view."

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