هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

    On the Road
I first met Dean not long after my wife and I split up. I had just gotten over a serious illness that I
won't bother to talk about, except that it had something to do with the miserably weary split-up and
my feeling that everything was dead. With the coming of Dean Moriarty began the part of my life
you could call my life on the road. Before that I'd often dreamed of going West to see the country,
always vaguely planning and never taking off. Dean is the perfect guy for the road because he
actually was born on the road, when his parents were passing through Salt Lake City in 1926, in a
jalopy, on their way to Los Angeles. First reports of him came to me through Chad King, who'd
shown me a few letters from him written in a New Mexico reform school. I was tremendously
interested in the letters because they so naively and sweetly asked Chad to teach him all about
Nietzsche and all the wonderful intellectual things that Chad knew. At one point Carlo and I talked
about the letters and wondered if we would ever meet the strange Dean Moriarty. This is all far
back, when Dean was not the way he is today, when he was a young jailkid shrouded in mystery.
Then news came that Dean was out of reform school and was coming to New York for the first
time; also there was talk that he had just married a girl called Marylou.