هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

    Little House on the Prairie

First, take a few minutes to look through the exercises and see how they’re structured. There are ten to
twelve types which repeat in each chapter, often with a slowly increasing degree of complexity. At the
low end, this may only be that the verb form to be changed is always in italics at first, with the italics
omitted later so the kids have to consider what they’re supposed to be changing (this is not automatic
for everyone!). 
The question word tells me what I’m looking for:
who  name
what  thing(s)
where  in/at/on etc. phrases, and so on …
• and then you look for the key words of the question in the text.
So for “Where did Ma and Pa pile everything from the wagon?” in Exercise 27 (Chapter 3)
you’re looking for something like ‘in/on/at etc.’ with ‘everything.’ and ‘piled’.
When you know this, you find the place on page 9, and the answer, ‘on the ground’ is right
there. In this way, you can usually find all the answers even if you don’t know some of the
words (like ‘pile’). And of course, all these words can be checked with the help of the
Vocabulary Page by Page.
 

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