هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

A Clockwork Orange

A Clockwork Orange Resucked
I first published the novella A Clockwork Orange in 1962, which ought to be far enough in the
past for it to be erased from the world's literary memory. It refuses to be erased, however, and for
this the film version of the book made by Stanley Kubrick may be held chiefly responsible. I
should myself be glad to disown it for various reasons, but this is not permitted. I receive mail
from students who try to write theses about it or requests from Japanese dramaturges to turn
It into a sort of Noh play. It seems likely to survive, while other works of mine that I value more
bite the dust. This is not an unusual experience for an artist. Rachmaninoff used to groan because
he was known mainly for a Prelude in C Sharp Minor which he wrote as a boy, while the works of
his maturity never got into the programmes. Kids cut their pianistic teeth on a Minuet in G
which Beethoven composed only so that he could detest it. I have to go on living with A Clockwork
Orange, and this means I have a sort of authorial duty to it. I have a very special duty to it in the
United States, and I had better now explain what this duty is.
 

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